Posts Tagged ‘Spring’

The moment that holds you

January 11, 2017

enitharmon-invitation

A walk through the year, season by season, moment by moment, with poet Jeremy Hooker.

My new artist’s film The moment that holds you gives a vivid portrait of the turning year seen through the eyes and words of West Country poet Jeremy Hooker.  Evocative, summoning, the poems draw you in to a landscape wherein everything connects – the material world plaited into the skein of time, all illuminated by shifting scattered points of light.

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In sixteen artist’s books, I’ve set the poet’s word-images of the turning seasons that catch each moment as it draws together time past and future, not by illustrating the text with pictures, but in such a way that the words become the images.  (These books are all part of my Singing the Year collection of contemporary illuminated manuscripts.)  And this close association between word and image is further echoed by the dialogue between poet and artist as we read the poems, among sounds of the seasons and music by jazz pianist Dorian Ford.

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The premiere screening of The moment that holds you has now been rescheduled; it will now coincide with the London Book Fair, and will be at Enitharmon‘s Bloomsbury gallery on

Wednesday 15th March at 7 for 7.30pm

I’ll be introducing the screening, and the artist’s books featured in the film will be on exhibition in the gallery, along with Enitharmon’s beautiful editions of Jeremy Hooker’s poetry collections, and we’ll be celebrating with music and wine.  What better way to anticipate the clocks springing forward and the days lengthening?

  • Join the guest list at info@enitharmon.co.uk 
  • and the film is available to buy on DVD from Enitharmon for £8 (or leave me a note in the comment box below to buy one direct from me).

Waiting for the swallows

April 1, 2011

Now that Spring is really here, and in John Clare’s happy words

The trees still deepen in their bloom

Grass greens the meadowlands

And flowers with every morning come

we can really start looking forward to the arrival of the swallows and swifts, since the daffodils have already dared. I love the changing lengthening light of Spring, and the suddenness of the long-awaited transformation, when everything charges out at once.

I’m continuing work on my series of Books of Hours, or contemporary illuminated manuscripts, on the theme of the passing year, working with different forms of the book. Some of them are very large, but The turning year is made from a single sheet of handmade ‘elephant’ paper (70cm x 50cm), torn and folded not into my usual cyclic sequence of pages, but this time as a continuous flow, starting at one end and following a fluid timeline which pours off the other end. The full sheet, before tearing and folding looked like this:

and the sequence of pages like this:

This was a lovely sheet of paper to work with, as it had beautiful irregular deckle edges, with even a few tags of paper floating at the corners. I particularly like the lively uniqueness of each handmade sheet, and enjoy including its quirks into the book’s character. The torn and folded sequence of pages looks like this:

My preoccupation with rivers, seas and watery places is reaching flood level as I prepare for Watermark, my exhibition in the Ice House gallery in Holland Park, which is open daily from 7th to 22nd May, 11am to 7pm.

I’ll be showing waterfalls in clay, driftwood signposts, several kingfishers, fountains and storms, tall ships and circling seas, as well as Van Gogh’s clouds and swallows on the Thames – and during May I’ll be showing some of the works in the exhibition here in my May post.

Meanwhile, I have been doing some other work, including a very enjoyable commission for a portrait of a thatched cottage, in my ongoing series of architectural low-relief sculptures.

I’ve been making these for 25 years now (my first was in 1986), and I must have made many hundreds by now – I love the individuality of each subject, and really enjoy how a likeness develops through the process, so that the finished portrait becomes a very tangible image of the house. I made this one in terracotta – the same clay as the bricks – but I use stoneware for a stone-built house. I have made a portrait of a Swiss log cabin, but I did it in clay, rather than matchsticks. Some more examples can be seen on the Architectural reliefs page, and commissions start at £200. I welcome enquiries about commissions – you can leave me a note in the comments box below, or if you prefer, click on contact details for other ways to get in touch.

Jolly Spring doth enter

March 19, 2010

Earth now is green and heaven is blue Jolly Spring doth enter

Spencer’s encouraging observation is lettered in green and blue round the flared rim of Green Earth, an open shallow bowl of a good size for fruit or salad, as well as a cheering thing to look at and handle.  The flowers are flax, thyme, periwinkles, lavender and cornflowers, with some blue-eyed grass – a foretaste of the joys to come. I very much enjoy making seasonal pots, responding to the turning year. For some other Spring pots please see the Meadow page, and for some snowy works have a look at the Paperworks page. I’ll be featuring Summer, Autumn and Winter pots later in the year, including some special pots for Christmas. The Green Earth bowl is thrown on the wheel in white stoneware clay, lettered and decorated by hand with brushwork in underglaze colours, fired, glazed with a clear glaze and then fired again. It’s 27cm across the rim, and 9cm high. Signed one-off, for sale £120. To buy or enquire about this or any work, please leave me a note in the comments box below or click on contact details. All photos copyright Liz Mathews. Permission is needed for any use of these images.