I’m looking forward to some autumn events: firstly an evening with Maureen Duffy on 14th October, as part of Fabrication: King’s College London’s Arts and Humanities Festival. I’ll join Maureen (in conversation with Katie Webb) to talk about working with her poems in artist’s books, and show Paper Wings, my setting of her love-poem cycle Songs for Sappho, which reflects some of the dazzling inventiveness of the poems. Paper Wings is now constructed into a 28-foot-long double-sided book – following its incarnation as an installation at Enitharmon’s Bloomsbury gallery last autumn – and we’ll be discussing some of the unusual materials and processes of its making. The event will be followed by a drinks reception and you can reserve free tickets at
Song 43 from Paper Wings (text by Maureen Duffy)
Then on Tuesday 20th October I’ll be giving a talk to the North London Lettering Association, called By way of words – a quote from Jeremy Hooker’s poem City Walking (1) – and I’m looking forward to showing some of my recent work setting his texts on clay, driftwood and handmade paper, as well as talking about lettering materials and techniques, and life as a lettering artist seeing everything by way of words. The NLLA welcomes non-members to its meetings (tickets £4), which regularly feature artists, letterers and calligraphers in demonstrations and talks of great interest to anyone who reads the world by font, language and pictogram; details and directions at
Detail: page 1 of In the light (text by Jeremy Hooker)
And my third outing this autumn will be to the Small Publishers’ Fair at Conway Hall on 6th and 7th November; I’ll be on the Artists Books Online stand with several other book artists, and I’ll be showing books from the small to the very large, all for sale and easily carried away.
The fair is a thrilling annual event stuffed with beautiful, thought-provoking, imaginative, quirky and affordable artworks which would restore anybody’s faith in the vitality, diversity and inventiveness of the book arts, and indeed the multifarious imaginations of British artists, designers and makers working with text.
Sweet Autumn (text by John Clare)