I’m very pleased that my monumental artist’s book Thames to Dunkirk which is now in the British Library is to be featured as a ‘key piece’ in the British Library’s major summer exhibition:
from 11 May to 25 September 2012.
From the British Library’s What’s On page:
‘As the world’s attention turns to the UK this summer, the British Library will be celebrating some of the outstanding treasures of its English literature collections. Featuring a range of stunning items, some of which have never been seen before, Writing Britain will draw on the breadth of the Library’s collections to explore how writers from Chaucer and Shakespeare to Virginia Woolf and Hanif Kureishi have been inspired by, and helped to shape, the nation’s understanding of landscape and place.
From William Blake to the 21st-century suburban hinterlands of JG Ballard, Writing Britain will examine how the landscapes of Britain permeate the nation’s great literary works. Taking location as its starting point the exhibition will allow visitors to read between the lines of great works of English literature, discovering the secrets and stories surrounding the works’ creation and critical reception over the years, shedding new light on how they speak to the country today.
• Laurie Lee
Cider with Rosie, 1959 – the manuscript of one of the great nostalgic paeans to rural living. Cider with Rosie is an autobiographical account of Laurie Lee’s childhood in Slad, Gloucestershire, an idyllic village community, at the very point at which modern technology such as motor cars began to sweep away the traditional ways
• Ted Hughes and Fay Godwin
Remains of Elmet, 1979 – Ted Hughes spent his earliest years in the Calder Valley in West Yorkshire (the ancient Celtic kingdom of Elmet), and celebrated the area in a poetical/photographic collaboration with the photographer Fay Godwin. Hughes wrote to Godwin: ‘Without your pictures there would have been no poems at all.’
• William Wordsworth
‘On Seeing some Tourists of the Lakes pass by reading’, 1806, and Guide through the District of the Lakes, 1810 – The Guide was written to train the minds of his readers to the same loving response to the landscape of the Lakes that Wordsworth knew after many years of devoted observation. The draft of ‘On Seeing some Tourists of the Lakes pass by reading’ is heavily scored through, indicating Wordsworth’s rejection of it and obscuring the text almost completely
• Liz Mathews/Virginia Woolf
Thames to Dunkirk, London, 2009 – This 1 metre high by 17 metres long concertina book is a watercolour map of the length of the Thames, with text from Virginia Woolf’s The Waves, and lettered by the artist using a piece of Thames driftwood as a pen
• Geoffrey Chaucer
The Canterbury Tales, early 15th century – This early manuscript copy of The Canterbury Tales describes the pilgrims who assembled in Southwark, and references to the capital abound, including the Prioress’s suspect French, learnt not in ‘Parys’ but the more humble ‘scole of Stratford atte Bowe’
• J G Ballard
Kingdom Come and Crash – J G Ballard defined the hidden violence of anonymous peripheral landscapes: gated communities, hyper-real shopping malls, clinical airport terminals. The violence of the novel’s suburban portraits is reflected in the force of the hand on paper on the manuscripts in the exhibition
• Angela Carter
Wise Children,1991 – After time in Japan, Carter settled in South London, and Wise Children is a mourning for a lost London of Lyons tea shops, and also a celebration of the dizzying linguistic richness of its inhabitants. It reflects on a century of London life, and on divisions within the capital
• William Blake
London, 1792 – William Blake was a staunch Londoner, who lived, and is buried, in the capital. Like the narrator of his 1792 poem, London, Blake would walk the streets of his neighbourhood
The exhibition will also feature a series of newly commissioned video interviews with British authors, exploring a sense of place in Britain today and how their work reflects Britain’s unique landscapes, together with two specially commissioned environmental soundscapes, recorded and composed by UK artist Mark Peter Wright.
For further information about the exhibition, including when tickets will go on sale, please register for our e-what’s on newsletter www.bl.uk/newsletters/subscribe.html.’
For a page-by-page preview of Thames to Dunkirk, opened out to its full 17m extent, please click here.
To view Thames to Dunkirk as part of my online interactive installation The Dunkirk Project, please click here.